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純白色sandal

Jil Sander 2010春夏男裝系列由Raf Simons操刀，保持以白、黑、灰色系為基調，剪裁簡潔、素雅、流暢，襯衫領口采用金絲鑲邊，手繪人物或人臉像作為圖案印在薄紗質地的襯衫或背心上令這個夏季增添更多的清爽和活潑。

The Jil Sander Spring/Summer 2010 catwalk collection had Raf Simons' typically clean and unfussy presentation, but still managed to incorporate masses of detail in fabrics and proportions. Heavily based upon the classic pique polo shirts, this foundation was used as a starting point for trenches, jackets, cardigans and reinterpretations of this style. The fabric lends a quintessentially summer feel to pieces. Colours used were restricted to whites and creams, with subtle gold highlights used as piping detail. Gossamer-thin nylon was also used for trenchcoats in a really clinical pale blue. The collection as a whole had a light, delicate and slightly fragile feel, although it still managed to feel adult and playful at the same time.
---- extracted from style.com

Jil Sander only started branching out with menswear in 1997, that's effectively 12 years in business on the menswear front and taking into account the houses' history, it happened only briefly before Bertelli bought a majority stake in Jil's business. I would hardly call this a business with a rich, established history, let alone with a strongly defined, existing clientele as there used to be with Jil's womenswear (even that customer has changed from the 80's/early 90's. Jil herself understood that when she came back with a slightly evolved vision from that ultra-stark 90ies minimalism). The way you are talking about Jil Sander menswear sounds as if we were talking of a cult-menswear label as Dior Homme used to be under Hedi Slimane, which itself was an operation that for a long time was not profitable, despite the fact that people around the glove were snatching up their iconic jeans, sneakers and other products bearing the Dior Homme name, do not think that ever happened at Jil Sander, let alone that male end customers recgnized such a 'vision' or 'look' as you described it.
---- extracted from thefashionspot.com